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Call Boy (2018) – Storyline/Plot:

Ryo Morinaka (Tori Matsuzaka) is a university student and works part-time at a bar. He is bored with his daily life and exists in a state of torpor. One day, his friend Shinya Tajima brings the owner of a host bar over to the place where Ryo Morinaka works. Shizuka Mido is the owner of the host bar. Soon, Ryo Morinaka begins to work for Shizuka Mido at the members only host bar. He feels embarrassment initially, but he fulfills the desires of women and develops a sense of purpose.

Actress: Sei Matobu, Ami Tomite, Yuki Sakurai, Kokone Sasaki, Ruri Shinato .

“Call Boy” is a fascinating look at sex and gender roles in a country where sex mostly caters to men. Women, so often overlooked in Japan, are rarely allowed to say their desire aloud, lest they appear to be loose. Sex in the media for women is often traumatic or sees many women sharing one man. Here, director Daisuke Mimura gives respect and wonder to women of all ages and desires. Ryo, a blank canvass of immature ignorance and apprehension, is our gorgeous, dreamy pair of eyes and our own escort through this unexplored part of femininity. Each scene so explicitly laid out, taking time from the first kiss to the final throes, the mess and the beauty. Each female autonomous and self-realised, making demands to increase their pleasure in the moment, or educate Ryo to be a better lover.

The movie is shocking. Frank in its depiction of sex in a country where fantasy is favoured over realism, the roots of the movie (a novel from 2001 and stage play in 2016) are on show throughout. The hazy, dreamlike hues of darkened bedrooms where light slips in just a crack, or the stuffy, dim banality of a love hotel in Shinjuku beautifully bounce light off of bodies while various fevered jazz and instrumental music riffs in the background. Mimura refuses to turn away from desire and why should he? His cast give their all to bring the sexual desires of women legitimacy.