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The long-awaited follow up to his controversial IRREVERSIBLE, ENTER THE VOID is an immersive and mind-bending experience. Nathaniel Brown and Paz de la Huerta star in a visceral journey set against the thumping, neon club scene of Tokyo, which hurls the viewer into an astonishing trip through life, death, and the universally wonderful and horrible moments between.
Also Known As (AKA): エンター・ザ・ボイド | Enther the Void: Viagem Alucinante | Soudain le vide | Ulaz u prazninu | Lépj az ürességbe | Užeikite į tuštumą | 嗑到荼靡 | Vào Cõi Hư Vô .
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Enter the Void (2009) – Storyline/Plot:
Tokyo’s nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar’s drug-fed hallucinations alter Tokyo’s already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister’s sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum’s colors can be beautiful; it’s people’s colorless lives that can be ugly. And what of afterlife, is there more than a void?
Review of Enter the Void (2009 Film):
During the first sequence in the “Sex, Money, Power” strip club, the camera and jib/crane are visible in the reflection of the platform the dancers are on.
The French Enter the Void is acclaimed director Gaspar Noe’s trip through the mind of a drug addict spinning around sexual excess and a dirty drug society to create a repulsive, radical, and un-relaxing movie experience that is nonetheless interesting.
American Oscar and his sister, Linda, are separated numerous times but always reconnect through his world of drug dealing and hers of professional sex. Noe spins his camera, makes us dizzy with repeated birds eye views, and has us flying through holes and time as if we were ourselves high. During this kaleidoscope of colliding images, he manages to take his hero to death and after, allowing us to accompany him as he attempts to protect sis.
The sex, even possibly incest, is incessant and the drugs ubiquitous, all led on by the specter of death and reincarnation. It’s not my cup o’ tea, but it is not dull. It is rather what Clint Eastwood might have done with Hereafter if he had taken drugs.
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